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TEN features the work of over artists, who have presented at Paradigm over the last 10 years. The work included in the exhibition spans across mediums, featuring painting, drawing, sculpture, fibers, craft, mixed media and everything in between. To mark this exciting milestone, a majority of the artists have created new work specifically for this exhibition. Leading up to the exhibition, 36 of the artists will contribute to an exquisite corpse, a collaborative group work, which will be unveiled at the public opening reception on February 28th. Over the last decade, the award-winning Paradigm Gallery has become internationally known as a Philadelphia mainstay. Locals and visitors alike have come to cherish the vision of powerhouse duo, Jason Chen and Sara McCorriston. Not only known for curating exciting and unique group exhibitions, the Paradigm team has helped emerging artists in their roster grow to international prominence. Nationally, they have placed over 90 public murals, in part through their HAHAxParadigm collaborative programming, working with local communities in helping build a stronger U. Their strong presence in Queen Village has significantly impacted the neighborhood. With new galleries popping up next door every day, the area has become a must-see art destination in Philadelphia.
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TEN features the work of over artists, who have presented at Paradigm over the last 10 years. The work included in the exhibition spans across mediums, featuring painting, drawing, sculpture, fibers, craft, mixed media and everything in between. To mark this exciting milestone, a majority of the artists have created new work specifically for this exhibition.

Leading up to the exhibition, 36 of the artists will contribute to an exquisite corpse, a collaborative group work, which will be unveiled at the public opening reception on February 28th. Over the last decade, the award-winning Paradigm Gallery has become internationally known as a Philadelphia mainstay. Locals and visitors alike have come to cherish the vision of powerhouse duo, Jason Chen and Sara McCorriston.

Not only known for curating exciting and unique group exhibitions, the Paradigm team has helped emerging artists in their roster grow to international prominence. Nationally, they have placed over 90 public murals, in part through their HAHAxParadigm collaborative programming, working with local communities in helping build a stronger U.

Their strong presence in Queen Village has significantly impacted the neighborhood. With new galleries popping up next door every day, the area has become a must-see art destination in Philadelphia.

Taylor Orr , Sheepskin , hand beading on sheepskin. This exhibition will celebrate the intersections of fiber as material, process, and metaphor. Suzanna Scott, Out Of Reach , vintage gloves, thread, polyfil, aluminum grate, wood. Acuff, a practicing artist, and educator has a rich research agenda examining critical multicultural art education, critical race theory, and culturally responsive teaching and curriculum development. Acuff, and then from pm for an artist reception, located in Radial Gallery on the second floor of Fitz Hall, on the campus of the University of Dayton.

Curated by R. On February 27th starting at pm, visitors may obtain a parking pass from a Department of Art and Design Greeter in the main Lobby of Fitz hall. Outside of the opening reception; visitors may obtain a parking pass from the parking attendant located at the parking office located inside the main entrance of Fitz Hall. For additional information contact University of Dayton Galleries Coordinator, Nicholaus Arnold at or narnold1 udayton.

The art will be out of the usual spaces and decontextualized, far from gallery lights or a conventional naked booth. The art is fully integrated within an empty apartment—the kitchen, the bathroom, the storage, and the bedroom. It is a conversation between the rooms and the artists. It is possible to be completely silly and serious at the same time, and I constantly seek to walk that fence in my work.

Since creating these subversive objects last year, I've been pondering the best way to share them. After taking several self-portraits, it dawned on me that other artists might join me in documenting the collective angst that the current American president has spawned around the world.

There are currently 19 countries and 26 states represented in this number. If you are interested in joining the project, please contact me for details. Also, I'm accepting donations to fund the project and keep these 'Trumped Nuts' circulating until the world has been freed from this American nightmare. Thank you to everyone who has joined me in this visual resistance! Two disparate groups voted the current president into office and continue to support him no matter the cost.

They are represented in this pairing of low-brow truck nuts with old-school bow ties. The object is now a symbol of false bravado and self-serving hubris. Also, have you heard that the one and only Vagina Museum opened in London earlier this year? OUT is a special event for connoisseurs of contemporary art combining painting, photography, installation, video, underground cinema and performance of artists from both Russia and the United States.

The goal of the exhibition is to portray the intimate lives of others without filters, sometimes without clothes, exposing loneliness or sexual fantasies. At the exhibition, you can find that the bodies of other people are imperfect and this is quite normal. Everyone can try peeping or become an object of peeping. Perhaps you can better understand yourself, your loved ones, become sincere and frank, review your shortcomings and see that you are not alone in your complexes or fantasies.

A couple of months ago the original group of flesh colored Coin Cunts was acquired by a collector in Germany. More than forty works by 31 international artists show different nudes, from the Renaissance to the present, including works by Paula Modersohn-Becker, Cindy Sherman, Marina Abramovic, and Rosemarie Trockel. For this extensive show, two floors of the Italian tower villa are being used for the first time. In addition to landscapes, portraits, and religious themes, female nudes are among the most frequently portrayed motifs in art history.

From the Venus of Willendorf 25, years ago to performances and video installations of the present, the naked body has fascinated artists over the centuries. Again and again, dealing with nudity and eros was also an exploration of taboos and a fascinating indicator of the sense of time.

Like a sensor of the constitution of freedom of a society or epoch, acts have shaped art history: restrained, shy, idealizing, sexualizing, politicizing, violent, tender, ugly or disturbing. In the foreground is the question of whether there is something like a specifically feminine view of the naked body. Or whether such stereotyping in the feminist context shape patterns that can not withstand a non-judgmental view beyond the gender stereotypes.

Mai bis zum 1. On view through May 5, The show opens with a public reception on Thursday, April 11 from pm to pm, including a performance by Baltimore feminist hardcore punk band War on Women. This link between past and present mirrors current political realities: As a record-breaking women joined the U.

The answer, the EDS curators suggest, is anarcha-feminism, an ideology that rejects traditional power relationships and demands equity, horizontality, and free association.

The spirit of anarcha-feminism might seem antithetical to the past life of the Peale, which, as the first purpose-built museum in the U. But by inviting women artists to occupy the Peale and excavate, transform, and repurpose its spaces, EDS asks viewers to feel the power of the future, be inspired, and be liberated. New York artist Katie Bell creates installations of deconstructed and found objects, often working directly on walls and surfaces with materials scavenged on-site.

California-born, Baltimore-based artist Nakeya Brown uses found images and objects in staged narrative photographs that explore the complexities of race, beauty politics, and gender. Baltimore-born MICA photography and design graduate Amy Helminiak uses multimedia to meditate on the ambiguity of language and the transformation of culture in the digital age.

Louisiana-based sculptor Suzanna Scott creates fiber-based sculptures and installation works rooted in feminist themes and visual metaphors for the body. East Baltimore born and based photographer, educator, and freedom fighter Shan Wallace uses themes of history, politics, and oppression to challenge existing narratives of black communities.

War on Women is a Baltimore-based co-ed feminist hardcore punk band led by singer and activist Shawna Potter, who uses her lyrics to address issues like street harassment, reproductive rights, and rape culture. Exhibition Development Seminar EDS is a year-long MICA course in which students experience the curatorial process by working collaboratively with the assistance of professional mentors to research, plan, and produce a major exhibition.

The Peale Center for Baltimore History and Architecture, a c 3 non-profit organization, is restoring the oldest museum building in the United States in partnership with the City of Baltimore.

Started on a horizontal structure, all workers can become co-owners, thus having a vote. Their board takes every decision under consideration, with extensive research to responsibly source sustainable, animal-friendly products. MICA Maryland Institute College of Art is home to top-ranked fine arts, design, electronic media, art education, liberal arts, and professional studies degree and non-credit programs.

Textile Center , in collaboration with the National Council on Education for the Ceramic Arts , brings together a complement of textile and ceramic artists in Structured , an exhibition focusing on textile processes as a starting point for conceptual departure. Structured is a gathering of forces who employ hand-making practices, challenging both maker and viewer in terms of how work is discussed, defined, considered, and categorized in contemporary art. The exhibition will feature 7 ceramic artists, along with 10 textile artists who work sculpturally, using textile constructions processes and sensibilities.

The exhibition, which runs March 18 — May 11, , will bring together a stellar collection of innovative work that reflects the processes of textile and fiber-based studio art practice.

Content and inspiration are broad but specific to each artist. The invited artists grapple with everything from the historic to the contemporary, covering a range of content from politics, culture, gender, and identity to commentary on craft practice and the decorative. Ude Casey Whittier Rena Wood. I'm honored to be included among these artists in a group exhibition opening Saturday night at Gray Contemporary in Houston, Texas.

I've long admired Jamey's work via Instagram after coming across his feed a couple of years ago. Just as intriguing as his work are his words as streams of consciousness on life, work, and all else in-between. Jamey's paintings can be understood as careful and slow meditations on form, completeness, and the link between looking and feeling. Familiar Friends is an examination of the power of relationships in creative work; the otherwordly and whimsical nature of the pieces in this exhibit express notions of friendly mythical creatures like an imaginary friend or perhaps a helpful demon.

The artists in this exhibit use color and abstraction to present familiar forms in new ways. As this curatorial teams second project to date, Familiar Friends seeks to explore new themes in our similar interests.

This diverse collection of work aims to highlight the semiological richness of the color pink, thus bypassing its apparent superficiality. A nod to the popular work of Erika L. James, with which the color pink shares her evocation to sexuality and femininity, the exhibition addresses the color in all its colors in a variety of expressions: plastic, technical, political, historical, sociological, anthropological, psychological, psychoanalytical, physical, chemical, biological, esoteric, semantic, symbolic, poetic, illustrative or anecdotal explorations.

Aesthetic choices or claimed militancy, the pink that runs through the exhibition comes in an infinity of hues, ranging from white to red, shading yellow or beige, and sometimes graying to black or purple. Epidermal, carnal or organic, it can be gentle and soothing as much as it suggests energy, strength, even violence.

Deeply superficial, it also knows how to take itself seriously in powerful and political works that embody a form of resistance in the power relations that bind us.

I endeavor to meld the endless labyrinth of time and sensual memory through repetitive wrapping and stitching. CHAOS promises to be a vibrant, expansive exhibition of intimately scaled artworks from a wide variety of artists. While most of the exhibiting artists hail from the North Texas region, the show will also feature a few prominent artists from around the U. As in previous years, the artists represented by the gallery are joined by invited guest artists, creating a dynamic unique to Ro2 Art's CHAOS exhibition.

His curatorial practice is often collaborative and driven by a desire to bring institutional resources to bear on conversations of equity and marginality. Participating Artists include John S. This is an event sponsored by The Vavengers vagina avengers , a creative community who raises awareness through the arts to tackle and end the practice of FGM female genital mutilation.

Opening this Friday, the show is an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium. Because he creates an extensive collection of work his artwork is everywhere. The show began in as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.

Paducah becomes a Mecca for quilters and quilt enthusiasts each April as more than 30, visitors from across the globe attend AQS QuiltWeek.

While all ages are welcome, please know this exhibition might make you laugh, make you uncomfortable or even straight up make you angry. Not all work may be appropriate for young or sensitive viewers. Stepping back we gaze on a diamond-shaped array of flaccid phalli.



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